with - matio michael gull & brian benson leads you in a guitar-sphere. inclusive the remix of guest head-liner - livio & roby (desolat) you dont know how high you will be flying when you pass into the other sphere behind the horizon. the track is pervaded by deeply and rocking features

mr gs forthcoming effort on the phoenix g imprint is somewhat of a dark one. with crazy amounts of white noise processed as hats and some of the fattest kicks youll ever hear, this is definitely one of those acey warehouse releases that will fit perfect in the modern trend of raw but touching house.

großartige compilation des berliner labels items & things, das von magda, troy pierce und marc houle betrieben wird. variables enthält 15 exklusive tracks von magda, jimmy edgar, populette, howard watson, troy pierce, marc houle, rework und anderen auf vier farbigen 180-gramm-vinylen, die in bedruckten innenhüllen und einer aufwändig gestalteten box verpackt sind.

fünftes album des aus irland stammenden house- und techno-produzenten john daly, der bereits auf labels wie plak records, irr, mule musiq oder wave music veröffentlicht hat. die musik des iren ist gleichermaßen mit techno, house, disco, electronica und dub verbunden. charakteristisch für die tracks von john daly sind warme, ungeheuer organische sounds, die er zu einem guten teil mit hardware-synthesizern einspielt. >sunburst< erscheint als aufwändig gestaltete gatefold-doppel-lp mit beiligender cd

still limited edition, still 250 copies pressed. still kool water representing is funky side. this 2nd 12 inch single on strictly groove also comes with a beautiful poster. because we love old school manners.

next rawax bomb - this time made by brother g and delivered as limited handstamped edition on yellow marbled vinyl!

second ep by jordan peak on robsoul recordings…

haunting, post-house deconstruction from russian outsider neotnas. >that day< is vocal dance music for lost souls, disparaging practical compromise and sunny chord progressions for a bones-bare, ruthlessly sincere interrogation of hopelessness, apathy and ultimate transcendence. suppressed waves of orchestral melancholia pass through entrancing heroin-paced percussive mechanics, unveiling the cavernous sprawl of neotnas masterful production. casting an icy shadow of depth and despair that is not easily shaken, four by fog lends his unexpectedly beautiful vocals to the project, proving the axiom >if you dont have the key, just break the lock<.

somewhere over western europe, an un-identified falling object crashed landed causing a massive bang, and a ginormous banana shaped smoke cloud. frederic, a local artistic young chap was so inspired by this hilariously funny giant cloud that covered the whole sky as far as he could see, he ran indoors to take cover, and wrote a little summer step d&b beat, called >laughing at clouds< – which seemed to draw a lot of attention. out of the studio window, frederic could see what seemed to be a pink giraffe giving it some serious head-nodding action. by the second drop leonard (the pink giraffe) was dancing so heavily that he caused a small tremor somewhere over in the states, where young up & coming producer melo seemed to pick up the transmission. while in his sonic laboratory he managed to transfer his latest project (affirmation) through the current, where frederic decided to make his first remix project, which pretty much made leonard pass out after all the summer stepping….

limited to 250 numbered copies, vinyl only - no digital release!
the first rose records release presents tracks by luvless, m.ono and martin hayes. while luvless >surrender< is playing shiny chords, adding vocals promising love and a restless groove, m.onos >love pass u by< combines a modern beat structure with some oldschool funk flavor. martin hayes rearranged and slowed down some 80s cheese and added chunky drums and filtered vocals.

soul jazz are issuing this seminal in-demand super-rare boogie-funk-soul album produced by roy ayers originally released on his own independent uno melodic label in 1981.
this incredible one-off album produced by roy ayers in 1981 features the amazing vocal talents of sylvia striplin, one of the featured members of eighties ladies, who the year before had released another seminal release (ladies of the eighties) also produced by roy ayers. striplin was also the vocalist in the classic jazz fusion soul group aquarian dream. sylvia striplins solo album features the two classic singles >give me your love< and >you cant turn love away<. her only solo album – this has been a serious collectors album ever since its original release and is definitely a rare groove holy grail!
soul jazz records are re-issuing this remastered album in its entirety with original artwork, on heavyweight double vinyl and deluxe heavyweight card – even better and louder than the original!

already played by sven väth, seth troxler. joris voorn, tiefschwarz, reboot... the london resident ross evana already excelled as dj at pacha nyc, at ministry of sound london or in the we love space series in ibiza. his track >thrilla in manila< first takes its time to build up before it sets a tremendously powerful exclamation mark on the dancefloor with its tropical-hypnotic percussions. with its second track, the ninth edition of cocoons 10 inch -series leads us to the land of the midnight sun. the two stockholm-born cousins alex caytas and aleks patz have started their musical collaboration only in 2007 but can already look back on a hand full of very good produced releases for the stuttgart-based label parquet recordings and the italian label caremella, as well as on remixes for martin dawson/king roc and voltique. >blue sea< shows the duos affinity to the energetic deep house techno of the nineties: with its organ sound, blues vocals and a highly infectous bass line, this track could almost pass as a modern and uncluttered version of st. germain, being predestined for warm summer nights. this is how techno sounds in 2011.

originally released in 2008, glider is available for the first time on vinyl & includes exclusive remixes from biosphere & pantha du prince.

we continue our trek into the welsh wilderness with crow castle cuts… a medieval manuscript entitled >fouke le fitz waryn< claimed that the castle, known as chastiel bran, was in ruin as early as 1073. the opening track comes from we play house artists and belgian buddies maxim lany & lemakuhlar who give us an absolute killer balearic beauty here with their stunning sunshine song >exotic guitar<. we also introduce three hot new producers to ccc - local talent from the castles valley. compelling!

nice price deal !!! the emergence of (another) very british sound in the form of dubstep some years back now has mutated into something altogether more cerebral. the chain are a product of this incipient sound and the many new strands that have splintered forward from it. dan foat is one half of the team that runs r&s, the newly invigorated label that is back at the forefront of contemporary electronic music. he’s also one half of the chain. dan & nathan boddy have for a while now had a studio near london bridge, which has formed into the r&s engine room, a hub for the second wave of their artists, pariah, james blake, space diimension controller et al who regualrly pass through the basement to drink tea and listen to new tracks.

at long last, night slugs drop a ep from the labels co-founder bok bok. representing his full gamut of influences as well as his labels hypercolour, bottom-heavy, club-ready aesthetic, the southside ep is an extend manifesto of a release for the south london dj / producer.
the three tracks on the 12 inch share a core sound palette, one that merges raw and convulsive acid house with functionalist 8-bar grime: the warm sound of vintage drum machines and analog bass combined with the razor-sharp, dystopian digital dread of noxious sawtooths and gliding squares.

new series from hudd traxx hudd collectables. featuring iz & diz / rhythm plate & dirty tricks

the >inside out< ep is a solid package featuring quality tunes from start to finish. midnight runner is a heavy plunge into deepest underwater techno, which drives fearlessly forward through a storm of ride cymbals. on the inside hovers and builds on a single chord, until breaking deliciously into a slinky deep house groove with a plonky bassline leading the way. on the b-side, the revenge pass by to deliver the >memory warehouse< remix of >on the inside< - a simple and decisive slice of deep dark rave, with all the hot production values we love to hear from the revenge. moonrunners, finally, is an organic and musical collection of neatly packed rhodes keys, piano splashes, trumpets and intense bass notes, and wraps up the package in style. another great ep for dso - and a solid return for winding road records

steve tang & m dreams are on a roll, with wax dropping hot & thick, on steel. tang represents a retro-futurist vision of post-acid chicago house, all made with vintage tech & dripping with machine soul.

nsyde music is happy to announce their first installment for this label. daso franke a.k.a. daso shows on nsyde music his deepest soul and his irresistable sense for activating great emotions. >why try< includes a certain warmth and invites every listener to slow down and float on a streched timeline that lets time and space pass by. shown to fred p, who inmediatly fell in love with the elegiac melancholy of the track, the idea of a remix was born. fred p alters the strechted timeline to a straight forward moving one. like an unstopable train ride the track starts to build up, step by step, ending up at cruising speed when the sublime warm chords hit reade truth opens up a big space for the original melody, the percussion work and the punchy bassdrum is just the right basis for the melody to meander. getting support from the likes of keith worthy, daniel bell, basic soul unit, efdemin etc. , this is gonna be something for the heads out there!

here we have yet another vinyl release to supplement the highly anticipated cos/mes album. while the first three singles boasted massive a-sides backed with incredible remixes, this release contains two exquisite album cuts deserving their own slab of vinyl. natural lifespan (acid orchestra mix) is a slice of pure bliss, a mid-tempo jam to which you can hug your friends as the sun rises. on the flip, i-bizan (build the progressive band) rides a stomping and tainted rhythm into a dark den of iniquity. pass the lotion

as anyone will know, dub police is one of the dubstep scenes leading labels, having helped launch the careers of artists like caspa and rusko into the dance music stratosphere. the labels ethos has always been about giving the next generation a step up and the next wave of superstar producers has arrived as the dub police war machine continue to roll ever onward towards world domination. trolley snatcha is the latest artist to receive the dub police stamp of approval with his diverse four-tracker the >one trick pony< ep. proving that he is anything but, trolley turns out a selection of tunes that display a mature and open-minded approach to dubstep. from the ear-battering trolley trademarks that litter >pass me by< and >roccos revenge< to the smoothed out bliss of >always on my mind< and the light techno touches of >we go deep<, this ep will grab the attention of anyone with a keen ear for quality music.
dj support: caspa, rusko, skream, the others and benga.

the >captain deutschland serie continues on the vinyl only format and is limited to 300 copies, all hand numbered.
dandy jack is well known for his multiple collaborations. its now about time to lay them down on wax.
the second chapter is a honest, loud and direct ode to the joy of queen bass. if you are searching for deep house and abstract minimal you should better pass your way.
dandy jack teams up with geneva fellows lad and quenum on the a side for what could be described as a tremendous and heavy ride into the catacombs of techno. sonja moonear has a slightly happier and smoother answer on the b side and challenges us with a long and percussive intro that leads into a melancholic twist. quenum and lad arent new to the electronic music and have been active over a decade. they have already been working together for labels like num and thema. sonja is dandys partner in crime as junction sm and ruta5s half head.

development music with some of the biggest names in deep house / nu disco. be / ethyl & flori / benedict & mxm

more limited edition roughneck jungle riddims, smacking up reggae anthems of yesterday!

big with: luciano, raresh, rhadoo, steve bug, livio & roby, alex picone, robert dietz, matthias tanzmann, lee curtis, nick curly, federico molinari, djulz, kasper, minimono, dario zenker...
today sees the all inn family launch their brand new imprint. not content with all inn records and super popular all inn limited, the team today launch the wonderfully titled all inn black. set to increase the excitement, all inn black will feature mostly new talents, whose music may not fit the sister labels, but has been too good for the team to pass on. black will also feature some cheeky releases from well established names, but under different alias. watch out! the sound of black is set to feature warm, tough and heavy rhythms. sounds that are perfect to help us in our mission to keep vinyl alive. the debut release on black comes from case sensitive, otherwise known as rising romanian talent cristi cons. as part of the sunrise roster, he is very much part of the new generation of romanian house producers.

the last franck roger on fr prod before september !

its a brand new year with a new start and steal vybe and alexis do it again. from the last single >goddess of the moon< that was an instant hit, gives yet another classy soulful vocal for your mind, body & soul with a variety of mixes to suite your personal mood. steal vybe gives you afroditey co-written by alexis simmons. including mixes from abicah soul and conan liquid.

allen saei aka aubrey has over 22 years hands on experience of the scene. his dj career took him from his first residency in portsmouths central park, to playing londons biggest raves and parties in the 90s. launching his own solid groove records in 1990, aubreys career went from strength to strength. releases and remixes followed for labels including sublime, the end, ferox, mosaic, reel, intec and leftfields label, offshoot. his material was licensed by derrick may, terry francis, pete tong and carl cox. today he steps up with high pass highway ep. a selection of sounds, all with that oldskool touch and feel.

produced by toshiyuki& masabumi kikuchi

1973 funk / soul gem!! includes the amazing i dont know what it is, but it sure is funky!!

nice price deal !!! extra deep, original, electronic sound, just what the market needed in the sea of musical monothony lately. really driving music that will rule any dancefloor. steal vybe presents the latest musical chapter in their dance floor saga, a story spun in a variety of flavors to touch your soul and suit your every mood. in a series of exciting new eps that tell a different story with each release, steal vybe begins this new leg of the journey with... track 2 the future. listen closely and leap through time!
already getting support from notable djs like: louie vega, joe claussell, dj spinna, kevin hedge, mr. v, kerri chandler, ian friday, joey negro, dj deep and udms mark stone and many more ...

its been three years since uffie took the underground by storm with her killer electro crunk anthems hot chick, ready to uff and pop the glock. 17 million my space plays later, the 22 year old star of parisian club culture is ready to release her new single mcs can kiss. produced by mr oizo, its an old school soundclash of heavy beats and sharp rhymes, a pass the dutchie for the modern era. remixes come from some new kids on the block, zombie disco squad and starkey. zombie disco squad have delivered the perfect big room remix, while starkey has given it a dirty philly street feel with his dubstep rework.

classic track - originally released in 2000!!!

the man behind the much sought after digital underground and jungle brothers boots is back with the fifth installment of the consistently hot house arrest label. smoking west coast flavored funky house covers of some of the all time dance classics, with debarges all this love and robert roena ysu apollo bands que se sepa, a real funky latin house workout. this series is always a favorite with heavy hitters likeu. doc and farina so dont pass up this one!!

incl rush rmxs!! this big tune comes as a mixed bag remix-package - there seems to be a mix for just about everyone. besides a full vocal re-rub that sounds like tech-house turned disco by dean coleman, there’s also a harder funky house vocal pass (josh da funky 1&steve smooth) plus two hard techno mixes by dj rush in typical high octane style

huge deep house affair !! massive decks tip for true house music lovers!!

atmospheric minimal tech house tracks by cozzy d (berwick street) includes remixes by aki bergen (noir music) & kabuto & koji (supernature). an unstoppable groove that will have any dancefloor going and going! dont pass on this one!!!

donovan is a french parisian duo consisting of david saïd and nicolas nekmouche, formed in 2007. influenced by black music, french touch and techno as much as contemporary artists, donovan created an original sound, melodic and also very club, with tracks like >breakin, released on work it baby, a track featuring jessica rizzo released on gigolo records etc. so combining their respective influences, they obtain tracks full of energy and depth. the band hits the bulls eye and remixes requests start to pour in. among them two tracks of sebastien tellier for record makers, teenage bad girl, arnaud rebotini and several rock bands. dont pass on this one !

for more than 15 years now, steve bug is known for influential track somewhere in between house, techno and minimalism. with his very good sense for the energy of self-limitation, bug has set standards when it comes to the funk of modern sound geometry, especially with his imprint poker flat recordings. milestones such as >loverboy<, >monsterbaze< or >wet n dry< are now essential elements of the history of electronic dance music. only a few weeks after the release of his fourth album collaboratory, bug even tops that one with this 12 inch on cocoon: while look whos stalking obviously refers to steves close relation to the raw energy of u.s. house in between chicago trax and detroit, using driving hand claps, percussions and nasty vocals, the flipside zero balance could pass as a vision of how far you can reduce techhouse to the essence of a bass line. also here, short vocal loops - besides the fast-moving elements - complete a sensibility that makes bugs tracks such high quality music for a very long time now.

taken from tama sumos ostgut mix cd panorama bar 02, brill raw styled hypnotic deep house

this is the first release from the newly formed roots unit who are piers harrison & christopher galloway a duo who are mainly known for being half of soft rocks.

the model is no stranger to gigolo, and we (the royal we) are no strangers to the model. as a supporter of gigolo records, you, our fated reader, should be familiar with our protagonist previous gigolo adventure. but in the words of the late george harrison, >all things must pass< and with this in mind we would like to reintroduce...
the model doesnt just have his own sound, he has in fact attempted to engineer his own genre: dark-techno-baroque. the sound has been crafted through a penchant for aristocratic mannerisms and a passion for high fashion and low fetish. it also happens to pretty succinctly sum up part of his unique personality. set against a backdrop of refined charm, there s an underbelly of something dark and brutal, which is possibly the best way to describe the a-side >in the night<. in many ways this could be seen as a return to form for gigolo, immediately poppy but structured as a classic song with haunting vocals underpinned with a driving techno rhythm. to further consolidate the techno aesthetic look no further then >flex on the b-side and you have a pounding track that could have been played by daft punk in 96 and will probably find a home with a diverse selection of djs today.
the >vampire funk ep< is the first release from the models forthcoming album on gigolo. the concept is in the same vain, but delves deeper into the dark-side of the model. exploring his fetish with the night and creatures that occupy its opulent corridors. like classic transylvanian tales the music from this album will present details that set the mood and composition to create tracks with narrative regardless of lyrics or words. the result being music that moves both bodies and minds and stirs the blood. as pretentious as this sounds the author of this mindless scrap of paper has the fortunate privilege of speaking from experience. as the mind that moves the hands that moves the keyboard is the mind that is being moved by the music as i type and you read. so we are already part way there. the rest will unfold in the coming months.

hot new remixes by electric indigo, mutron and akiko kiyama. moonraker has become an ep that is among the best house music has brought us last year. (mix mag). the original house mix, which is a deliciously nasty reflection of the outfits sinister electrohouse sound. the rather minimal introduction is soon enough spiced up with a clash of synths that sound industrial and melancholic at the same time, thereby creating a dreamy and utterly brilliant vibe as spacey as spacey can be. it s proggy, it s electro, it s on the edge of deep house too, but above all, it s absolutely amazing. frank muellers america mix takes care of the final remix with a more uptempo and more towards progressive club rocker featuring brilliantly sampled vox, shifting synths and lots of deep sound waves. whereas the previous two tunes engage on a hypnotic trip, this one shoots the listener even further beyond the stars right into the unknown depths of space. the uptempo rhythm is what makes this track an absolute insane piece of progressive/deep house music, and therefore a definite must-have. you simply can not afford to let this ep pass you by. 365 mags absolute number one ep of this autumn, and unlikely to be bettered this year.

2005 classic! deep percussive detroit house grooves!!

next killer by nadastrom!! the newly revitalised dubsided keep up the pressure with another ep of uncomprising bass-heavy styles courtesy of debutants nadastrom. the title track æpussyÆ contains a massive sample we sure youÆll recognize brought bang up to date via nadastromÆs clever vocal edits and huge peaktime breakdownà when it drops expect dancefloor carnage! æthe way you movinÆÆ has a sweet half-time drop before a warped bassline crashes the partyà blaqstarr gets in on the act with a nifty vocal turn on ætween me + uÆ riding a bouncy super-charged grooveà æritalinÆ rounds off the sonic assault with super sized old skool stabs and filthy bass dropsà four party starters that will rock any dancefloor!

limited collectors item! with a cd (live 1968 paris/ottawa), 1 woodstock t-shirt (size l). poster, classic concert postcard set, button set, ipod skin, pik card, all-access pass

der titel legt es schon nahe: >for now<, das zweite album des britischen 60s-retro-trios the bishops, ist eine art bestandsaufnahme. eine referenz an den moment, an das jetzt, das die gruppe aus london seit erscheinen ihres deb?talbums 2007 mit hunderten konzerten ausgiebig gelebt hat - u. a. als support f?r james blunt auf dessen europa-tour. so sind denn auch viele der songs von >for now< auf tour entstanden, aufgenommen wurden sie im sommer 2008 in london vom produzenten brian o?shaughnessey (primal scream, my bloody valentine). abgesehen von den klassischen dreimann-arrangements spielen the bishops auf >for now< auch mit ungewohnten instrumenten wie trompete, mundharmonika und klavier. rockig und im besten stil der kinks und fr?hen beatles ist das allemal, wie nummern wie >hold on<, >free to do what you want< und die erste single >city lights< beweisen. doch auch ein folksong wie >he was a friend of mine< schaffte es auf die platte.

pumpin techno 12inch , contains a massive remix on the flip from mark broom & chris finke